articulate adjective. Here are three example descriptions.

I get a vivid sense of her music and, again, am compelled to listen.For additional help, consider connecting and working with a coach, mentor, publicist, or journalist. Writing can stutter and stumble. These terms only serve to make you and your music sound generic and institutional—and to alienate readers unfamiliar with the lingo.It’s also easy to fall into analytical terms: telling us that you employ extended harmonic language and polyrhythms. Make sure, whenever you write a bio, press kit, email, review (or anything else that concerns your music), that you infuse it with the same creativity and passion you put into your music.
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articulate adjective. Here are three example descriptions.

I get a vivid sense of her music and, again, am compelled to listen.For additional help, consider connecting and working with a coach, mentor, publicist, or journalist. Writing can stutter and stumble. These terms only serve to make you and your music sound generic and institutional—and to alienate readers unfamiliar with the lingo.It’s also easy to fall into analytical terms: telling us that you employ extended harmonic language and polyrhythms. Make sure, whenever you write a bio, press kit, email, review (or anything else that concerns your music), that you infuse it with the same creativity and passion you put into your music.
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articulate adjective. Here are three example descriptions.

I get a vivid sense of her music and, again, am compelled to listen.For additional help, consider connecting and working with a coach, mentor, publicist, or journalist. Writing can stutter and stumble. These terms only serve to make you and your music sound generic and institutional—and to alienate readers unfamiliar with the lingo.It’s also easy to fall into analytical terms: telling us that you employ extended harmonic language and polyrhythms. Make sure, whenever you write a bio, press kit, email, review (or anything else that concerns your music), that you infuse it with the same creativity and passion you put into your music.
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how to describe music in writing

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Therefore your bio should not contain the same tired words and stale phrases found in countless other musicians’ bios.The use of clichés starts with an innocent desire to communicate something authentic. And if you do not know the artists yet, do not get acquainted before you write at least a draft. I've been trying to write a scene where a symphony is playing a very universally recognized song in the background. %���������

In a matter of minutes, I am sweating, but it feels so good.
When Wright sent the script for Baby Driver out to actors, it included a thumb drive with the music attached . You’ve inspired another round! Only write in music if it’s essential.

Don't worry about making the prose fit the music, worry more about the emotional value of the music and its nature. I don’t know what any of that sounds like, and none of it sounds like it would get into my head and make me want to dance, or sing, or feel something wonderful.Conversation and respectful debate is vital to the NewMusicBox community. Find them.At one point these words or phrases weren’t stale, but once everyone else started using them, they became generic hype.Hallelujah Anyhow: The Premiere Recording of Alvin Singleton’s String Quartets,“THE RISE UP” FEATURING NEA JAZZ MASTER DAVE LIEBMAN,The Batavia 75th Anniversary Memorial Concert featuring the Metropole Orchestra,Live Streaming 102: Hosting, Preparing, and Advertising Your Live Stream,How the New Music Community is Coping with the COVID-19 Pandemic,Nathalie Joachim: Stepping Into My Own Identity.Your email address will not be published.to receive our email newsletters and get updates on news, events, articles, and opportunities.

My body moves to the rhythm of the music. I realize this is all too traditional for those leading (bleeding) edge musicians you’re describing. You can also ask fans and friends to send you a one-sentence description of any of the works you have online. That’s not a judgment on either.

Here are three example descriptions. I find it much easier to create an exciting scene if I’m motivated by thrilling music.

However, please remember to keep comments constructive and on-topic. In the course of writing this article series I searched for hours to find good examples.Instead of being discouraged, this has got me thinking: what if musicians rallied around this challenge and improved their bios—just think of all the new listeners and fans we might attract!Want the rest? Guest post contributed by Doug Lewars. Overall it's a chaotic scene where alot is going on and I want the music being played to compliment that, but I've found I'm having trouble properly describing the music in a way that seems organic. Though this is forbidden because he lives in a dystopian society where a lot of things we take for granted are illegal, however people can still buy them in this Black Market that outcasts run. This club doesn't check I.D's very well and I can usually get away with drinking.

And … Avoid personal attacks and defamatory language. Maybe there’s an audience for that.


Your readers want—and deserve—an understandable, compelling sketch of what your music actually sounds like, not a string of adjectives and clichés.It’s easy to pretend we’re describing our music when in fact we’re simply relying on broad labels like post-modern, avant-garde, neo-romantic, or atonal. Describing music? COMPOSITIONAL(DEVICES((Compositional(devices(are(words(or(phrases(that(describe(how(the(music(was(put(together. But once everyone else started using them, they became generic hype, and now merely sound like “bio speak.”.Don’t follow the herd: the language you want should be fresh and memorable to reflect what is specific to you.To be clear, effective bios that pique interest, avoid clichés, and make you want to click “play” are not easy to find. Just like the music during your workout, your readers can sense the rhythm in your writing. Forget all photos and biographies of the artist. Note: she employs the much over-used word “unique” but in this context, and knowing her work, it’s fine.Identity has always been at the center of.Here the information about Gabriela’s parents and background are absolutely relevant because she tells us immediately what is at the heart of all her music: identity. << /Length 5 0 R /Filter /FlateDecode >> Use this comprehensive list of words that describe sounds when you write.. 4 0 obj Articles and commentary posted here reflect the viewpoints of their individual authors; their appearance on NewMusicBox does not imply endorsement by New Music USA.Feels like I am constantly rewriting our bio. I think your best bet is to describe the effect of the music without being too literal about each song and artist. 阉Ҕ����X ~D]$�:U|��4ӓ141#;�:�|�����U6+9kun�������9#pu)g�>N 풺��/�m0 W������;f��i.$���� ��v�qO�DS�Ս�>U0�S/�!T��3w[&�����Lo�"��43Y������(}%���q��~v��S����dYC�����N��%E���X�g��`0���Է�������f/�t���g,5�p��60���Y�� �,4['�F��kV���T��iK��f��,�6��ͩ/�S������l� ц#�R�= ��ǁ�����)� using unusual words and complicated sentences.

articulate adjective. Here are three example descriptions.

I get a vivid sense of her music and, again, am compelled to listen.For additional help, consider connecting and working with a coach, mentor, publicist, or journalist. Writing can stutter and stumble. These terms only serve to make you and your music sound generic and institutional—and to alienate readers unfamiliar with the lingo.It’s also easy to fall into analytical terms: telling us that you employ extended harmonic language and polyrhythms. Make sure, whenever you write a bio, press kit, email, review (or anything else that concerns your music), that you infuse it with the same creativity and passion you put into your music.

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