I feel certain you won’t be upset or shaked at my telling you that we sleep together.’,Vanessa Bell was quick to reassure her son, ‘You are right, of course, my dear, in thinking that I shall not be shocked – I am only delighted at anything that makes you happy.’.The affair was not long lasting and by the end of the year Bell had set his sights on the opposite gender. ... Vanessa Bell and Duncan Grant, 4th November 1999 - 30th January 2000, cat. He was a member of the Bloomsbury Group. But I’ll write again. Grant painted a touching portrait in 1908 at Cambridge during the height of their passion, Keynes at work but affectionately meeting the artist’s gaze with a smile. Though the love affair was not long lasting, a close relationship followed for the next decade and Grant remains on the Keynes’ list every year until its end in 1915.Grant and Keynes’ relationship formed one of the most important in their respective lives. "Grapes and Gondoliers, 1949", Lithograph, Signed in Pencil, 16" x 22.5",Lot 29: Duncan Grant(1885-1978);F.E. In this etching we see an exploration of this queer iconography: the sensuality of the tipped hat and close fit clothes, accentuating the physique of the male body, is brought out in the fluid curves of the foreground figure, while the front-facing figure exudes health and strength.Jean Oberlé, the artist of this work, became a major voice in the French resistance through the powerful medium of the radio in the 1940s, producing famous slogans of the BBC Free French broadcast in particular. He married fellow student Karin Costelloe in 1914, who was an authority on the French philosopher and public figure, Henri Bergsen. Joyous and humorous, the work could be a caricature. Bell’s artistic gaze takes on a new maternal dimension, Bell turning to the medium of paint to express and explore the intensity of a new kind of love.

… Why does she not realise that my love for George gives me.Bergen made several trips to America, and became less involved with Grant in the mid 1930s, with his poor rate of replying to letters leading to a distance in their relationship. It depicts her in three-quarter length, wearing a blue empire-line dress, a gold, patterned… (24 1/8 x 16 1/8 in.)
"/> I feel certain you won’t be upset or shaked at my telling you that we sleep together.’,Vanessa Bell was quick to reassure her son, ‘You are right, of course, my dear, in thinking that I shall not be shocked – I am only delighted at anything that makes you happy.’.The affair was not long lasting and by the end of the year Bell had set his sights on the opposite gender. ... Vanessa Bell and Duncan Grant, 4th November 1999 - 30th January 2000, cat. He was a member of the Bloomsbury Group. But I’ll write again. Grant painted a touching portrait in 1908 at Cambridge during the height of their passion, Keynes at work but affectionately meeting the artist’s gaze with a smile. Though the love affair was not long lasting, a close relationship followed for the next decade and Grant remains on the Keynes’ list every year until its end in 1915.Grant and Keynes’ relationship formed one of the most important in their respective lives. "Grapes and Gondoliers, 1949", Lithograph, Signed in Pencil, 16" x 22.5",Lot 29: Duncan Grant(1885-1978);F.E. In this etching we see an exploration of this queer iconography: the sensuality of the tipped hat and close fit clothes, accentuating the physique of the male body, is brought out in the fluid curves of the foreground figure, while the front-facing figure exudes health and strength.Jean Oberlé, the artist of this work, became a major voice in the French resistance through the powerful medium of the radio in the 1940s, producing famous slogans of the BBC Free French broadcast in particular. He married fellow student Karin Costelloe in 1914, who was an authority on the French philosopher and public figure, Henri Bergsen. Joyous and humorous, the work could be a caricature. Bell’s artistic gaze takes on a new maternal dimension, Bell turning to the medium of paint to express and explore the intensity of a new kind of love.

… Why does she not realise that my love for George gives me.Bergen made several trips to America, and became less involved with Grant in the mid 1930s, with his poor rate of replying to letters leading to a distance in their relationship. It depicts her in three-quarter length, wearing a blue empire-line dress, a gold, patterned… (24 1/8 x 16 1/8 in.)
"> I feel certain you won’t be upset or shaked at my telling you that we sleep together.’,Vanessa Bell was quick to reassure her son, ‘You are right, of course, my dear, in thinking that I shall not be shocked – I am only delighted at anything that makes you happy.’.The affair was not long lasting and by the end of the year Bell had set his sights on the opposite gender. ... Vanessa Bell and Duncan Grant, 4th November 1999 - 30th January 2000, cat. He was a member of the Bloomsbury Group. But I’ll write again. Grant painted a touching portrait in 1908 at Cambridge during the height of their passion, Keynes at work but affectionately meeting the artist’s gaze with a smile. Though the love affair was not long lasting, a close relationship followed for the next decade and Grant remains on the Keynes’ list every year until its end in 1915.Grant and Keynes’ relationship formed one of the most important in their respective lives. "Grapes and Gondoliers, 1949", Lithograph, Signed in Pencil, 16" x 22.5",Lot 29: Duncan Grant(1885-1978);F.E. In this etching we see an exploration of this queer iconography: the sensuality of the tipped hat and close fit clothes, accentuating the physique of the male body, is brought out in the fluid curves of the foreground figure, while the front-facing figure exudes health and strength.Jean Oberlé, the artist of this work, became a major voice in the French resistance through the powerful medium of the radio in the 1940s, producing famous slogans of the BBC Free French broadcast in particular. He married fellow student Karin Costelloe in 1914, who was an authority on the French philosopher and public figure, Henri Bergsen. Joyous and humorous, the work could be a caricature. Bell’s artistic gaze takes on a new maternal dimension, Bell turning to the medium of paint to express and explore the intensity of a new kind of love.

… Why does she not realise that my love for George gives me.Bergen made several trips to America, and became less involved with Grant in the mid 1930s, with his poor rate of replying to letters leading to a distance in their relationship. It depicts her in three-quarter length, wearing a blue empire-line dress, a gold, patterned… (24 1/8 x 16 1/8 in.)
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estate of duncan grant

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His collection had particular strengths in the Camden Town Group and also in Bloomsbury artists, especially Duncan Grant.This vase was potted by Quentin Bell around 1940, and both Bell’s and Le Bas’ identifying marks are on the base of the piece. Strachey wrote of the portrait, ‘I sit all day to Tommy, who is creating what appears to me a highly impressive, repulsive, and sinister object.’.Tomlin was educated at Harrow, together with Angus Davidson (a lover of Grant’s in the 1920s), and after attending Oxford he trained with sculptor Frank Dobson.
He died in 1948.A member of the original household, Garnett moved with Vanessa Bell, Duncan Grant and Bell’s children Julian and Quentin to Charleston in October 1916. Analytical to the core, from turning 18 in 1901 until the year 1915 Keynes kept a table of his sexual conquests which reveals a considerable appetite for same-gender relationships. (i) Old Grant histories (particularly the Birkenburn MS) tell us that the Grants of Creichie descend from the Grants of the 1st house of Ballindalloch. ),Lot 2: Duncan Grant (British, 1885-1978) The Plaster Cast - Venus 42 x 26.5 cm. Oil on canvas. 'Mediterranean View'. Following the dissolution of the cousins’ sexual relationship, Keynes began a three-year affair with Strachey in 1906 (as well as an affair with Lytton’s brother James in the same year).In a typical Bloomsbury entanglement, Maynard Keynes then began a relationship with Grant in 1908. The Charleston Trust regularly commissions articles from leading Bloomsbury scholars as part of our charitable remit to promote public knowledge, understanding and appreciation of Charleston and its historical, literary and artistic connections.Sign up for news about LGBTQ+ programming at Charleston,Surrey, East & West Sussex Museums Development Service,Stephen Tomlin, ‘Lytton Strachey’ c. 1928,http://www.tate.org.uk/art/artworks/tomlin-lytton-strachey-n04616,Nijinsky in the Siamese Dance from ‘Les Orientales,’ 1911,Vase, potted by Quentin Bell, decorated by Edward Le Bas, c. 1940,Critics to the Left of Us, Critics to the Right of Us,Virginia Woolf: Liberating Lesbian Readings from Heterosexual Bias,“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant’s.More about Bloomsbury and LGBTQ information on the web:http://www2.tate.org.uk/archivejourneys/bloomsburyhtml/.

As Quentin Bell recalls, Bergen was strikingly attractive, ‘To Duncan and to many others George Bergen was an Adonis or perhaps an Apollo: immensely handsome, irresistibly charming, a most gifted painter, a man of wit, perhaps of profundity.’,The friendship rapidly developed into a love affair, and Grant and Bergen spent time privately together at Charleston in 1930. We may usefully start our story with Sir Duncan Grant, 12th in the roll of Chiefs of Clan Grant and the first to be designated "of Freuchie".
I feel certain you won’t be upset or shaked at my telling you that we sleep together.’,Vanessa Bell was quick to reassure her son, ‘You are right, of course, my dear, in thinking that I shall not be shocked – I am only delighted at anything that makes you happy.’.The affair was not long lasting and by the end of the year Bell had set his sights on the opposite gender. ... Vanessa Bell and Duncan Grant, 4th November 1999 - 30th January 2000, cat. He was a member of the Bloomsbury Group. But I’ll write again. Grant painted a touching portrait in 1908 at Cambridge during the height of their passion, Keynes at work but affectionately meeting the artist’s gaze with a smile. Though the love affair was not long lasting, a close relationship followed for the next decade and Grant remains on the Keynes’ list every year until its end in 1915.Grant and Keynes’ relationship formed one of the most important in their respective lives. "Grapes and Gondoliers, 1949", Lithograph, Signed in Pencil, 16" x 22.5",Lot 29: Duncan Grant(1885-1978);F.E. In this etching we see an exploration of this queer iconography: the sensuality of the tipped hat and close fit clothes, accentuating the physique of the male body, is brought out in the fluid curves of the foreground figure, while the front-facing figure exudes health and strength.Jean Oberlé, the artist of this work, became a major voice in the French resistance through the powerful medium of the radio in the 1940s, producing famous slogans of the BBC Free French broadcast in particular. He married fellow student Karin Costelloe in 1914, who was an authority on the French philosopher and public figure, Henri Bergsen. Joyous and humorous, the work could be a caricature. Bell’s artistic gaze takes on a new maternal dimension, Bell turning to the medium of paint to express and explore the intensity of a new kind of love.

… Why does she not realise that my love for George gives me.Bergen made several trips to America, and became less involved with Grant in the mid 1930s, with his poor rate of replying to letters leading to a distance in their relationship. It depicts her in three-quarter length, wearing a blue empire-line dress, a gold, patterned… (24 1/8 x 16 1/8 in.)

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