With the three introductory essays placed just after the translators’ preface, one does not begin reading Hanslick until nearly halfway through the book’s 224 pages.

Of particular interest is the collection of essays that precedes the translation. He seems to think that the pursuit of objective criticism is already underway with literature and the visual arts.

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With the three introductory essays placed just after the translators’ preface, one does not begin reading Hanslick until nearly halfway through the book’s 224 pages.

Of particular interest is the collection of essays that precedes the translation. He seems to think that the pursuit of objective criticism is already underway with literature and the visual arts.

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With the three introductory essays placed just after the translators’ preface, one does not begin reading Hanslick until nearly halfway through the book’s 224 pages.

Of particular interest is the collection of essays that precedes the translation. He seems to think that the pursuit of objective criticism is already underway with literature and the visual arts.

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eduard hanslick on the musically beautiful

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At the same time, one feels that Rothfarb and Landerer have achieved their goal of producing a translation that better expresses Hanslick’s intended meaning.Take the following sentence from the central third chapter of Hanslick’s treatise as one typical example of the differences between the three translations: “,Among the several systematic improvements made by Rothfarb and Landerer, perhaps the most effective is their use of limited English equivalents for German terms central to Hanslick’s prose. They offer students ready exposure to foreign-language materials, and they serve as efficient inroads to important works for more seasoned or even specialized scholars, who ideally revisit passages of interest more carefully in the original language. Hanslick, Eduard.

P. also mentions that “…It would seem that, for Hanslick, the fundamental principle of music, namely the musically beautiful, while objective (i.e. In Eduard Hanslick known book, Vom musikalisch-Schönen (; The Beautiful in Music, ), has been published in many editions and. Hanslick does not deny that listeners may be emotionally moved by listening to music, but he regards such feelings as a by-product of the music’s beauty. At that time, Hanslick was still making occasional, minor …

Eduard Hanslick on Musical Beauty. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.To get the free app, enter your mobile phone number.Like Hanslick, Professor Payzant is both musician and philosopher; and he has brought the knowledge and insights of both disciplines to this large undertaking. The first of these.The present translation proceeds from the tenth edition, the last to be published under Hanslick’s supervision. In Eduard Hanslick …known book, Vom musikalisch-Schönen (1854; The Beautiful in Music, 1891), has been published in many editions and translations.

Please try again.There was an error retrieving your Wish Lists. In addition to fulfilling the need for a reliable English edition of this pivotal treatise on musical aesthetics, this volume lays a strong foundation for the continued exploration of Hanslick’s place within the history of philosophical and musical endeavors.Copyright © The College Music Society. --Gordon Epperson.There's a problem loading this menu right now.Find all the books, read about the author, and more.Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free. "Like Hanslick, Professor Payzant is both musician and philosopher; and he has brought the knowledge and insights of both disciplines to this large undertaking." As Rothfarb and Landerer point out, where in one paragraph Payzant used “a mental source of animation,” “ideality,” “ideal content,” and “mind” for the word “,However, the current volume contains much more than Rothfarb and Landerer’s translation of.The translators devote much of their preface to discussing the difficulties of Hanslick’s mode of presentation, and it is specifically in these areas that the present volume might be found lacking. It took an anti … Please try again.Access codes and supplements are not guaranteed with used items.Some of these items ship sooner than the others.On the Musically Beautiful: a Contribution Towards the Revision of the Aesthetics of Music (Hackett….This shopping feature will continue to load items when the Enter key is pressed. First published in 1854, Hanslick’s monograph has been presented in two previous English translations. The first of these, The Beautiful in Music, was completed in 1891 by Gustav Cohen. Please note that log-in to Comments requires a Symposium account, available to all, but different from your CMS Membership account log-in.Translations are essential tools for the study of music. --Gordon Epperson,Introductory Lectures on Aesthetics (Penguin Classics),The Ring of the Nibelung (Penguin Clothbound Classics).Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books.Your recently viewed items and featured recommendations,Select the department you want to search in,On the Musically Beautiful: a Contribution Towards the Revision of the Aesthetics of Music (Hackett Classics).This bar-code number lets you verify that you're getting exactly the right version or edition of a book.

With the three introductory essays placed just after the translators’ preface, one does not begin reading Hanslick until nearly halfway through the book’s 224 pages.

Of particular interest is the collection of essays that precedes the translation. He seems to think that the pursuit of objective criticism is already underway with literature and the visual arts.

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