A shawl thrown over a chair arm reinforces the impression.Though her heavy-lidded gaze is focused on the viewer, her expression has been described as distant, even vacant; this however may reflect her character. When it was finally shown, Ingres announced that it had met with complete success and that the sitter's family were delighted with it. Nothing in the world is more difficult, it can’t be done … It’s enough to make one weep.’ – Ingres,A perfectionist, Ingres surpassed even his teacher,For an artist famed for his portraits, Ingres surprisingly claimed not to like them; he felt portraiture to be a lesser art form, a necessary evil to pay the bills. Despite this assertion, Ingres’ contemporary Charles Baudelaire wrote: ‘M.

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A shawl thrown over a chair arm reinforces the impression.Though her heavy-lidded gaze is focused on the viewer, her expression has been described as distant, even vacant; this however may reflect her character. When it was finally shown, Ingres announced that it had met with complete success and that the sitter's family were delighted with it. Nothing in the world is more difficult, it can’t be done … It’s enough to make one weep.’ – Ingres,A perfectionist, Ingres surpassed even his teacher,For an artist famed for his portraits, Ingres surprisingly claimed not to like them; he felt portraiture to be a lesser art form, a necessary evil to pay the bills. Despite this assertion, Ingres’ contemporary Charles Baudelaire wrote: ‘M.

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A shawl thrown over a chair arm reinforces the impression.Though her heavy-lidded gaze is focused on the viewer, her expression has been described as distant, even vacant; this however may reflect her character. When it was finally shown, Ingres announced that it had met with complete success and that the sitter's family were delighted with it. Nothing in the world is more difficult, it can’t be done … It’s enough to make one weep.’ – Ingres,A perfectionist, Ingres surpassed even his teacher,For an artist famed for his portraits, Ingres surprisingly claimed not to like them; he felt portraiture to be a lesser art form, a necessary evil to pay the bills. Despite this assertion, Ingres’ contemporary Charles Baudelaire wrote: ‘M.

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comtesse d'haussonville

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Cocktails with a Curator: Ingres's 'Comtesse d'Haussonville' The Frick is celebrating with a series of videos honoring the stories of women at the museum who made, appeared in, collected, and took care of art in this collection. | Updated: 0. The sitter, Louise de Broglie, Countess d'Haussonville, of the wealthy House of Broglie. Ingres’ Comtesse d’Haussonville (1845) Sixteen years ago Lillian Schwartz, a computer scientist at Bell Labs, made a dramatic announcement in the pages of a science magazine: the proportions of the Mona Lisa's face as measured by computer match those of Leonardo's. Louise, Princesse de Broglie, granddaughter of the formidable author Madame de Stael, had married the young Vicomte d'Haussonville at the age of eighteen. Note how the shape of their eye-openings are.In a study drawing for the portrait, the similarity is even more apparent, most notably in the lop-sided chin and off-center lower lip. They next considered Jean-Auguste-Dominique Ingres; Louise and her husband first met Ingres in Rome in 1840, while he was directing the French Academy in Rome and living at the Villa Medici. She was known for her liberal opinions, active social life and as the author of several books, including a biography of Byron.

Articles on this site are the copyright of Simon Abrahams. When first shown, critics thought she looked as if she had no muscle or bone. Ingres is never so happy nor so powerful as when his genius comes to grips with the feminine charms of a young beauty.’.This beauty was Louise (1818–82), Princesse de Broglie, Comtesse d’Haussonville, the granddaughter of Madame de Staël. Portrait of Comtesse d'Haussonville is an 1845 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. Title: Comtesse d'Haussonville Date Created: 1845 Physical Dimensions: w920.75 x h1316.74 in Type: painting External Link: See more on The Frick Collection website Medium: Oil on canvas Style: Portrait Provenance: Madame d'Haussonville.

Lillian Schwartz,“The Art Historian’s Computer”,4. The year 2020 commemorates the one-hundredth anniversary of women’s right to vote across the United States. Andrew C. Ritchie, "The Evolution of Ingres',It has been pointed out that Louise's arms are slightly out-of-scale with her figure, larger than they should be. Her former tutor, meanwhile, disagreed, remarking in a letter that it was under universal attack.The lower half of Louise's face - the chin, mouth and button nose - is obviously similar to Ingres' but so are the eyes. © Simon Abrahams. She clearly had a bit of the Byronic spirit herself for her memoirs are filled with statements like,‘I was destined to beguile, to attract, to seduce and in the final reckoning to cause suffering in all those who sought their happiness in me.’ A contemporary called her ‘the girl with eyes like smouldering embers.’ In this portrait she is in her mid-twenties, a mother of three.Ingres depicts her standing in her fashionable boudoir, leaning with a studied casualness against a blue velvet upholstered mantelpiece, which matches wonderfully the paler blue of her dress.

A shawl thrown over a chair arm reinforces the impression.Though her heavy-lidded gaze is focused on the viewer, her expression has been described as distant, even vacant; this however may reflect her character. When it was finally shown, Ingres announced that it had met with complete success and that the sitter's family were delighted with it. Nothing in the world is more difficult, it can’t be done … It’s enough to make one weep.’ – Ingres,A perfectionist, Ingres surpassed even his teacher,For an artist famed for his portraits, Ingres surprisingly claimed not to like them; he felt portraiture to be a lesser art form, a necessary evil to pay the bills. Despite this assertion, Ingres’ contemporary Charles Baudelaire wrote: ‘M.

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