Text block is very clean and tight throughout. Aubrey Beardelsy (illustrator). Songes d'opium. ), con la parte tipografica ben incolonnata sulla destra (cfr. People who were new to art, were surprised at what they could produce. The book is in the publisher s original parchment backed marbled boards, the spine lettered in gilt and housed in the original black slipcase lettered in gilt. BEL EXEMPLAIRE, au corps d'ouvrage en parfait état. Gravure frontispieces, 18 full page wood engravings (including five double-page), numerous text illustrations, and approximately 350 repeated designs for chapter headings and borders, all by Aubrey Beardsley. Fisher Unwin (W.H. Aubrey Beardsley's fin de siècle black and white prints are variously divine, delicious and decadent, and at times all three at once. Title page vignette and head and tail pieces throughout by Clarke. In the Keynotes Series, with decorations by Aubrey Beardsley. F.A.
"Aubrey Beardsley's Morte Darthur was one of the most original and certainly one of the most controversial of the nineteenth-century artistic reinterpretations of Malory" which "established Beardsley as the voice of the 1890s" (Tepa Lupack, Chapter 4). With 26 full-page line illustrations and 102 smaller line illustrations.With: LAYARD, Arthur. Wir informieren Sie über passende Angebote.Sie wollen kein Buch mehr verpassen? Beardsley is the arch-purveyor of a countercultural queer aesthetic. A visionary artist, possessing an exquisite, sometimes cruel and satiric sensibility - Beardsley … A total of 17 pp. His work is compared to Aubrey Beardsley, Kay Nielson and Edmund Dulac. There is a little tenderness to the second volume's upper hinge, and a couple of light spots to the wrapper of the sixth volume. Rear endpaper missing Brown decorated hardback cloth cover with gilt titles.KUENSTLICHER BERICHT; und allerzierlichste beschreybung: Wie die Streitbarn Pferdt (durch welche Ritterliche tugendten mehrersthails geübet) zum Ernst und Ritterlicher Kurtzweil geschickt und vollkommen zu machen.Michael Manger, Augspurg, 1570. A rare example of risqué drawings by Shepard, best known for shaping the definitive image of "Winnie-the-Pooh", but also a prolific staff-member of "Punch" and illustrator of favourites such as "The Wind in the Willows" and "David Copperfield". In original, brown cardboard cover with blue title vignette, printed in black, bound with yellow ribbon. Aubrey Beardsley, Enter Herodias, c.1893, black ink on paper, Wikimedia Commons Beardsley’s work connects varied artists and techniques; for example, his early references to Symbolist paintings by Gustave Moreau or to the Japanese prints associated with Mary Cassatt, the Impressionists, and Whistler all contribute to something entirely his own. Oscar Wilde was an Irish playwright, novelist, essayist, and poet. Based on his experience, Grisone wrote Gli Ordini di Cavalcare, outlining methods for instructing the student in the style of the high school.
But quite frankly, I am rather too exhausted to run from office to office - and possibly also too exhausted to consider this a pure journey of pleasure" (10 March 1966). Part 9 is from the "regular issue" and is slightly smaller in size. - Slight worming to mount (not affecting image). Tutto ricomposto tramite intelaiatura, senza mancanze. "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism.
Smith & Son, Printers).T. The first two volumes bound in the original pink paper-covered boards, the remaining six in the blue paper wrappers, all as issued.
BostonCopeland & Day. Flemming contemporary signature on upper right corner of the first three parts, the second part with the inscribed date "Sept 1893." To the art historian Hans Pée, director of the Ulm Museum, in German, mainly about a planned exhibition and a catalogue: "As far as the text [for the catalogue] is concerned, I am so relieved not to have to write it. Reprint, unexpergated edition. Elle est composée de 20 PLANCHES de gravures sur bois originales en noir et blanc. Some cloth fading and very moderate wear; very good. In original, brown cardboard cover with blue title vignette, printed in black, bound with yellow ribbon. Literature: Ian Fletcher, Aubrey Beardsley, 1987, p. 128-129; A. E. Gallatin, Aubrey Beardsley: Catalogue and Bibliography, 1945, p. 33; Mark Samuels Lasner, A Selective Checklist of the Published Work of Aubrey Beardsley, 1995. Per il resto, in ottime condizioni.Poems (Inscribed by the American publisher Fred Holland Day),T.Fisher Unwin and Copeland and Day, London and Boston.T.Fisher Unwin and Copeland and Day, London and Boston, 1895.
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Text block is very clean and tight throughout. Aubrey Beardelsy (illustrator). Songes d'opium. ), con la parte tipografica ben incolonnata sulla destra (cfr. People who were new to art, were surprised at what they could produce. The book is in the publisher s original parchment backed marbled boards, the spine lettered in gilt and housed in the original black slipcase lettered in gilt. BEL EXEMPLAIRE, au corps d'ouvrage en parfait état. Gravure frontispieces, 18 full page wood engravings (including five double-page), numerous text illustrations, and approximately 350 repeated designs for chapter headings and borders, all by Aubrey Beardsley. Fisher Unwin (W.H. Aubrey Beardsley's fin de siècle black and white prints are variously divine, delicious and decadent, and at times all three at once. Title page vignette and head and tail pieces throughout by Clarke. In the Keynotes Series, with decorations by Aubrey Beardsley. F.A.
"Aubrey Beardsley's Morte Darthur was one of the most original and certainly one of the most controversial of the nineteenth-century artistic reinterpretations of Malory" which "established Beardsley as the voice of the 1890s" (Tepa Lupack, Chapter 4). With 26 full-page line illustrations and 102 smaller line illustrations.With: LAYARD, Arthur. Wir informieren Sie über passende Angebote.Sie wollen kein Buch mehr verpassen? Beardsley is the arch-purveyor of a countercultural queer aesthetic. A visionary artist, possessing an exquisite, sometimes cruel and satiric sensibility - Beardsley … A total of 17 pp. His work is compared to Aubrey Beardsley, Kay Nielson and Edmund Dulac. There is a little tenderness to the second volume's upper hinge, and a couple of light spots to the wrapper of the sixth volume. Rear endpaper missing Brown decorated hardback cloth cover with gilt titles.KUENSTLICHER BERICHT; und allerzierlichste beschreybung: Wie die Streitbarn Pferdt (durch welche Ritterliche tugendten mehrersthails geübet) zum Ernst und Ritterlicher Kurtzweil geschickt und vollkommen zu machen.Michael Manger, Augspurg, 1570. A rare example of risqué drawings by Shepard, best known for shaping the definitive image of "Winnie-the-Pooh", but also a prolific staff-member of "Punch" and illustrator of favourites such as "The Wind in the Willows" and "David Copperfield". In original, brown cardboard cover with blue title vignette, printed in black, bound with yellow ribbon. Aubrey Beardsley, Enter Herodias, c.1893, black ink on paper, Wikimedia Commons Beardsley’s work connects varied artists and techniques; for example, his early references to Symbolist paintings by Gustave Moreau or to the Japanese prints associated with Mary Cassatt, the Impressionists, and Whistler all contribute to something entirely his own. Oscar Wilde was an Irish playwright, novelist, essayist, and poet. Based on his experience, Grisone wrote Gli Ordini di Cavalcare, outlining methods for instructing the student in the style of the high school.
But quite frankly, I am rather too exhausted to run from office to office - and possibly also too exhausted to consider this a pure journey of pleasure" (10 March 1966). Part 9 is from the "regular issue" and is slightly smaller in size. - Slight worming to mount (not affecting image). Tutto ricomposto tramite intelaiatura, senza mancanze. "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism.
Smith & Son, Printers).T. The first two volumes bound in the original pink paper-covered boards, the remaining six in the blue paper wrappers, all as issued.
BostonCopeland & Day. Flemming contemporary signature on upper right corner of the first three parts, the second part with the inscribed date "Sept 1893." To the art historian Hans Pée, director of the Ulm Museum, in German, mainly about a planned exhibition and a catalogue: "As far as the text [for the catalogue] is concerned, I am so relieved not to have to write it. Reprint, unexpergated edition. Elle est composée de 20 PLANCHES de gravures sur bois originales en noir et blanc. Some cloth fading and very moderate wear; very good. In original, brown cardboard cover with blue title vignette, printed in black, bound with yellow ribbon. Literature: Ian Fletcher, Aubrey Beardsley, 1987, p. 128-129; A. E. Gallatin, Aubrey Beardsley: Catalogue and Bibliography, 1945, p. 33; Mark Samuels Lasner, A Selective Checklist of the Published Work of Aubrey Beardsley, 1995. Per il resto, in ottime condizioni.Poems (Inscribed by the American publisher Fred Holland Day),T.Fisher Unwin and Copeland and Day, London and Boston.T.Fisher Unwin and Copeland and Day, London and Boston, 1895.
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Text block is very clean and tight throughout. Aubrey Beardelsy (illustrator). Songes d'opium. ), con la parte tipografica ben incolonnata sulla destra (cfr. People who were new to art, were surprised at what they could produce. The book is in the publisher s original parchment backed marbled boards, the spine lettered in gilt and housed in the original black slipcase lettered in gilt. BEL EXEMPLAIRE, au corps d'ouvrage en parfait état. Gravure frontispieces, 18 full page wood engravings (including five double-page), numerous text illustrations, and approximately 350 repeated designs for chapter headings and borders, all by Aubrey Beardsley. Fisher Unwin (W.H. Aubrey Beardsley's fin de siècle black and white prints are variously divine, delicious and decadent, and at times all three at once. Title page vignette and head and tail pieces throughout by Clarke. In the Keynotes Series, with decorations by Aubrey Beardsley. F.A.
"Aubrey Beardsley's Morte Darthur was one of the most original and certainly one of the most controversial of the nineteenth-century artistic reinterpretations of Malory" which "established Beardsley as the voice of the 1890s" (Tepa Lupack, Chapter 4). With 26 full-page line illustrations and 102 smaller line illustrations.With: LAYARD, Arthur. Wir informieren Sie über passende Angebote.Sie wollen kein Buch mehr verpassen? Beardsley is the arch-purveyor of a countercultural queer aesthetic. A visionary artist, possessing an exquisite, sometimes cruel and satiric sensibility - Beardsley … A total of 17 pp. His work is compared to Aubrey Beardsley, Kay Nielson and Edmund Dulac. There is a little tenderness to the second volume's upper hinge, and a couple of light spots to the wrapper of the sixth volume. Rear endpaper missing Brown decorated hardback cloth cover with gilt titles.KUENSTLICHER BERICHT; und allerzierlichste beschreybung: Wie die Streitbarn Pferdt (durch welche Ritterliche tugendten mehrersthails geübet) zum Ernst und Ritterlicher Kurtzweil geschickt und vollkommen zu machen.Michael Manger, Augspurg, 1570. A rare example of risqué drawings by Shepard, best known for shaping the definitive image of "Winnie-the-Pooh", but also a prolific staff-member of "Punch" and illustrator of favourites such as "The Wind in the Willows" and "David Copperfield". In original, brown cardboard cover with blue title vignette, printed in black, bound with yellow ribbon. Aubrey Beardsley, Enter Herodias, c.1893, black ink on paper, Wikimedia Commons Beardsley’s work connects varied artists and techniques; for example, his early references to Symbolist paintings by Gustave Moreau or to the Japanese prints associated with Mary Cassatt, the Impressionists, and Whistler all contribute to something entirely his own. Oscar Wilde was an Irish playwright, novelist, essayist, and poet. Based on his experience, Grisone wrote Gli Ordini di Cavalcare, outlining methods for instructing the student in the style of the high school.
But quite frankly, I am rather too exhausted to run from office to office - and possibly also too exhausted to consider this a pure journey of pleasure" (10 March 1966). Part 9 is from the "regular issue" and is slightly smaller in size. - Slight worming to mount (not affecting image). Tutto ricomposto tramite intelaiatura, senza mancanze. "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism.
Smith & Son, Printers).T. The first two volumes bound in the original pink paper-covered boards, the remaining six in the blue paper wrappers, all as issued.
BostonCopeland & Day. Flemming contemporary signature on upper right corner of the first three parts, the second part with the inscribed date "Sept 1893." To the art historian Hans Pée, director of the Ulm Museum, in German, mainly about a planned exhibition and a catalogue: "As far as the text [for the catalogue] is concerned, I am so relieved not to have to write it. Reprint, unexpergated edition. Elle est composée de 20 PLANCHES de gravures sur bois originales en noir et blanc. Some cloth fading and very moderate wear; very good. In original, brown cardboard cover with blue title vignette, printed in black, bound with yellow ribbon. Literature: Ian Fletcher, Aubrey Beardsley, 1987, p. 128-129; A. E. Gallatin, Aubrey Beardsley: Catalogue and Bibliography, 1945, p. 33; Mark Samuels Lasner, A Selective Checklist of the Published Work of Aubrey Beardsley, 1995. Per il resto, in ottime condizioni.Poems (Inscribed by the American publisher Fred Holland Day),T.Fisher Unwin and Copeland and Day, London and Boston.T.Fisher Unwin and Copeland and Day, London and Boston, 1895.
La Morte Darthur was an immediate sensation upon publication. ., 1894. There is some offsetting from the illustrations to the facing pages. While Aubrey's work is unusual, there is a simplicity to his work that is filled with detail (i think I said that correctly). Aubrey Beardsley - Professor Fred Brown, 1892 (Left) / Frontispiece to Chopin's Third Ballade, 1895 (Right), images via tate.org.uk Style. First edition.
In the original 12 parts. The hand-painted cover illustrations for this set reproduce two of Beardsley's designs, Volume One depicting "How Four Queens Found Launcelot Sleeping" (p. 184) and Volume Two "The Achieving of the Sangreal" (frontispiece). Margins of upper corners of part 1 lacking small pieces, approximately one centimeter, and spine of latter abraded. Leonard Smithers, together with Arthur Symons and Aubrey Beardsley, conceived The Savoy as a successor to The Yellow Book which, having spurned Beardsley after its fourth issue due to his connections with Oscar Wilde, had become rather vanilla. In 1892, seeking to emulate the books of the Kelmscott Press, John M. Dent commissioned the 20-year-old Beardsley to produce this edition, work that took the young artist 18 months to complete. In near fine condition.
Text block is very clean and tight throughout. Aubrey Beardelsy (illustrator). Songes d'opium. ), con la parte tipografica ben incolonnata sulla destra (cfr. People who were new to art, were surprised at what they could produce. The book is in the publisher s original parchment backed marbled boards, the spine lettered in gilt and housed in the original black slipcase lettered in gilt. BEL EXEMPLAIRE, au corps d'ouvrage en parfait état. Gravure frontispieces, 18 full page wood engravings (including five double-page), numerous text illustrations, and approximately 350 repeated designs for chapter headings and borders, all by Aubrey Beardsley. Fisher Unwin (W.H. Aubrey Beardsley's fin de siècle black and white prints are variously divine, delicious and decadent, and at times all three at once. Title page vignette and head and tail pieces throughout by Clarke. In the Keynotes Series, with decorations by Aubrey Beardsley. F.A.
"Aubrey Beardsley's Morte Darthur was one of the most original and certainly one of the most controversial of the nineteenth-century artistic reinterpretations of Malory" which "established Beardsley as the voice of the 1890s" (Tepa Lupack, Chapter 4). With 26 full-page line illustrations and 102 smaller line illustrations.With: LAYARD, Arthur. Wir informieren Sie über passende Angebote.Sie wollen kein Buch mehr verpassen? Beardsley is the arch-purveyor of a countercultural queer aesthetic. A visionary artist, possessing an exquisite, sometimes cruel and satiric sensibility - Beardsley … A total of 17 pp. His work is compared to Aubrey Beardsley, Kay Nielson and Edmund Dulac. There is a little tenderness to the second volume's upper hinge, and a couple of light spots to the wrapper of the sixth volume. Rear endpaper missing Brown decorated hardback cloth cover with gilt titles.KUENSTLICHER BERICHT; und allerzierlichste beschreybung: Wie die Streitbarn Pferdt (durch welche Ritterliche tugendten mehrersthails geübet) zum Ernst und Ritterlicher Kurtzweil geschickt und vollkommen zu machen.Michael Manger, Augspurg, 1570. A rare example of risqué drawings by Shepard, best known for shaping the definitive image of "Winnie-the-Pooh", but also a prolific staff-member of "Punch" and illustrator of favourites such as "The Wind in the Willows" and "David Copperfield". In original, brown cardboard cover with blue title vignette, printed in black, bound with yellow ribbon. Aubrey Beardsley, Enter Herodias, c.1893, black ink on paper, Wikimedia Commons Beardsley’s work connects varied artists and techniques; for example, his early references to Symbolist paintings by Gustave Moreau or to the Japanese prints associated with Mary Cassatt, the Impressionists, and Whistler all contribute to something entirely his own. Oscar Wilde was an Irish playwright, novelist, essayist, and poet. Based on his experience, Grisone wrote Gli Ordini di Cavalcare, outlining methods for instructing the student in the style of the high school.
But quite frankly, I am rather too exhausted to run from office to office - and possibly also too exhausted to consider this a pure journey of pleasure" (10 March 1966). Part 9 is from the "regular issue" and is slightly smaller in size. - Slight worming to mount (not affecting image). Tutto ricomposto tramite intelaiatura, senza mancanze. "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism.
Smith & Son, Printers).T. The first two volumes bound in the original pink paper-covered boards, the remaining six in the blue paper wrappers, all as issued.
BostonCopeland & Day. Flemming contemporary signature on upper right corner of the first three parts, the second part with the inscribed date "Sept 1893." To the art historian Hans Pée, director of the Ulm Museum, in German, mainly about a planned exhibition and a catalogue: "As far as the text [for the catalogue] is concerned, I am so relieved not to have to write it. Reprint, unexpergated edition. Elle est composée de 20 PLANCHES de gravures sur bois originales en noir et blanc. Some cloth fading and very moderate wear; very good. In original, brown cardboard cover with blue title vignette, printed in black, bound with yellow ribbon. Literature: Ian Fletcher, Aubrey Beardsley, 1987, p. 128-129; A. E. Gallatin, Aubrey Beardsley: Catalogue and Bibliography, 1945, p. 33; Mark Samuels Lasner, A Selective Checklist of the Published Work of Aubrey Beardsley, 1995. Per il resto, in ottime condizioni.Poems (Inscribed by the American publisher Fred Holland Day),T.Fisher Unwin and Copeland and Day, London and Boston.T.Fisher Unwin and Copeland and Day, London and Boston, 1895.
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