Download. Rules Contact. You may be missing content or you might need to enable the original module. "Portrait of an elderly lady" is an authentic stock image by Westend61. [1] During this treatment the painting was analyzed by the NGA Scientific Research department using microscopic examination of cross-sections (see notes dated August 21, 2008, in NGA Conservation department files).Pendant portraits by Peter Paul Rubens of.The possible relationship of these paintings was first proposed in Wilhelm R. Valentiner.These remarks are based on examination of the two paintings (as in note 7 above) as well as analysis by the National Gallery of Art scientific research department using microscopic examination of cross-sections from both paintings (see notes dated August 21, 2008, for the National Gallery of Art painting, and September 22, 2008, for the Frick painting in National Gallery of Art conservation department files).No inscription appears on the Frick painting, and examination did not show evidence that an inscription has been effaced. He was a Dutch Golden Age painter who practiced an intimate realism with a radically free approach. ),framed: 100.3 x 84.1 cm (39 1/2 x 33 1/8 in. [4] The painting was Agnew’s stock number J1821. overall: 72.9 x 60.3 cm (28 11/16 x 23 3/4 in. Charlotte-Camille, Comtesse Boucher de la Rupelle [née de Tascher, d. 1911], Paris; sold by 1905 to (Charles Sedelmeyer, Paris); James Simon [1851-1932], Berlin, by 1906; (Abraham Preyer, The Hague);[2] purchased 12 June 1919 by (Duveen Brothers, Inc., London, New York, and Paris);[3] held jointly with (Thos. While he also articulated the design in the black jacket with great care, he indicated the folds of the skirt with comparatively free brushstrokes that suggest the flickering of light off its surface.The woman’s pose is adapted from a portrait Hals had executed two years earlier of Cornelia Claesdr Vooght,Cornelia Claesdr Vooght was the wife of the Haarlem burgomaster Nicolaes van der Meer, whose companion portrait Hals also painted in 1631,Stylistically, there are arguments for placing the Frick portrait in about 1633, despite the blond tonality of the painting that Slive rightly associates with Hals’ works from the late 1620s. Image Use. 20); Cornelius Sebille Roos [1754-1820], Amsterdam. He is known for his loose painterly brushwork, and helping introduce a lively style of painting to Dutch art. His pictures illustrate the various strata of society: banquets or meetings of officers, guildsmen, local councilmen from mayors to clerks, itinerant players and singers, gentlemen, fishwives, and tavern heroes.Lost your password?

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Download. Rules Contact. You may be missing content or you might need to enable the original module. "Portrait of an elderly lady" is an authentic stock image by Westend61. [1] During this treatment the painting was analyzed by the NGA Scientific Research department using microscopic examination of cross-sections (see notes dated August 21, 2008, in NGA Conservation department files).Pendant portraits by Peter Paul Rubens of.The possible relationship of these paintings was first proposed in Wilhelm R. Valentiner.These remarks are based on examination of the two paintings (as in note 7 above) as well as analysis by the National Gallery of Art scientific research department using microscopic examination of cross-sections from both paintings (see notes dated August 21, 2008, for the National Gallery of Art painting, and September 22, 2008, for the Frick painting in National Gallery of Art conservation department files).No inscription appears on the Frick painting, and examination did not show evidence that an inscription has been effaced. He was a Dutch Golden Age painter who practiced an intimate realism with a radically free approach. ),framed: 100.3 x 84.1 cm (39 1/2 x 33 1/8 in. [4] The painting was Agnew’s stock number J1821. overall: 72.9 x 60.3 cm (28 11/16 x 23 3/4 in. Charlotte-Camille, Comtesse Boucher de la Rupelle [née de Tascher, d. 1911], Paris; sold by 1905 to (Charles Sedelmeyer, Paris); James Simon [1851-1932], Berlin, by 1906; (Abraham Preyer, The Hague);[2] purchased 12 June 1919 by (Duveen Brothers, Inc., London, New York, and Paris);[3] held jointly with (Thos. While he also articulated the design in the black jacket with great care, he indicated the folds of the skirt with comparatively free brushstrokes that suggest the flickering of light off its surface.The woman’s pose is adapted from a portrait Hals had executed two years earlier of Cornelia Claesdr Vooght,Cornelia Claesdr Vooght was the wife of the Haarlem burgomaster Nicolaes van der Meer, whose companion portrait Hals also painted in 1631,Stylistically, there are arguments for placing the Frick portrait in about 1633, despite the blond tonality of the painting that Slive rightly associates with Hals’ works from the late 1620s. Image Use. 20); Cornelius Sebille Roos [1754-1820], Amsterdam. He is known for his loose painterly brushwork, and helping introduce a lively style of painting to Dutch art. His pictures illustrate the various strata of society: banquets or meetings of officers, guildsmen, local councilmen from mayors to clerks, itinerant players and singers, gentlemen, fishwives, and tavern heroes.Lost your password?

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Download. Rules Contact. You may be missing content or you might need to enable the original module. "Portrait of an elderly lady" is an authentic stock image by Westend61. [1] During this treatment the painting was analyzed by the NGA Scientific Research department using microscopic examination of cross-sections (see notes dated August 21, 2008, in NGA Conservation department files).Pendant portraits by Peter Paul Rubens of.The possible relationship of these paintings was first proposed in Wilhelm R. Valentiner.These remarks are based on examination of the two paintings (as in note 7 above) as well as analysis by the National Gallery of Art scientific research department using microscopic examination of cross-sections from both paintings (see notes dated August 21, 2008, for the National Gallery of Art painting, and September 22, 2008, for the Frick painting in National Gallery of Art conservation department files).No inscription appears on the Frick painting, and examination did not show evidence that an inscription has been effaced. He was a Dutch Golden Age painter who practiced an intimate realism with a radically free approach. ),framed: 100.3 x 84.1 cm (39 1/2 x 33 1/8 in. [4] The painting was Agnew’s stock number J1821. overall: 72.9 x 60.3 cm (28 11/16 x 23 3/4 in. Charlotte-Camille, Comtesse Boucher de la Rupelle [née de Tascher, d. 1911], Paris; sold by 1905 to (Charles Sedelmeyer, Paris); James Simon [1851-1932], Berlin, by 1906; (Abraham Preyer, The Hague);[2] purchased 12 June 1919 by (Duveen Brothers, Inc., London, New York, and Paris);[3] held jointly with (Thos. While he also articulated the design in the black jacket with great care, he indicated the folds of the skirt with comparatively free brushstrokes that suggest the flickering of light off its surface.The woman’s pose is adapted from a portrait Hals had executed two years earlier of Cornelia Claesdr Vooght,Cornelia Claesdr Vooght was the wife of the Haarlem burgomaster Nicolaes van der Meer, whose companion portrait Hals also painted in 1631,Stylistically, there are arguments for placing the Frick portrait in about 1633, despite the blond tonality of the painting that Slive rightly associates with Hals’ works from the late 1620s. Image Use. 20); Cornelius Sebille Roos [1754-1820], Amsterdam. He is known for his loose painterly brushwork, and helping introduce a lively style of painting to Dutch art. His pictures illustrate the various strata of society: banquets or meetings of officers, guildsmen, local councilmen from mayors to clerks, itinerant players and singers, gentlemen, fishwives, and tavern heroes.Lost your password?

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Like many, Hals' parents fled during the Fall of Antwerp (1584–1585) from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life. I encountered this hard looking lady at the vege market in Varanasi. The X-radiograph shows only faint cusping along the top and left edges. Natural World People Travel The American Experience Altered Images Mobile. Damit Sie das Bild oben "Mary Cassatt Portrait of an Elderly Lady" aus der Reihe Cassatt in einer hochaufgelösten Abbildung betrachten können, klicken Sie einfach darauf. Die Größe des Drucks ist frei nach Ihren Wünschen, passend zu Ihren Geschäfts- oder Wohnräumen, wählbar.Aus wievielen Teilen soll ihr Bild bestehen?Preise incl. overall: 102.5 x 86.9 cm (40 3/8 x 34 3/16 in. J. Paul Getty Trust, Los Angeles.The original support, a medium-weight, plain-weave fabric, has been lined with the original tacking margins trimmed. ),framed: 142.4 x 126.7 x 15.2 cm (56 1/16 x 49 7/8 x 6 in. ‘Portrait of an elderly lady’ was created in 1883 by Mary Cassatt in Impressionism style. According to an undated note in NGA curatorial files, on the Durand-Ruel copy of the sale catalogue, the name "Mathilde" was handwritten after the "Mademoiselle X" title. Download. Artists / Makers Mary Cassatt (artist) American, 1844 - 1926. Medium. Accession Number. Beautiful elderly lady portrait. The woman’s elaborate linen ruff collar, starched and supported by concealed wires, was gradually going out of style at this time.Hals’ portraits were often commissioned as pendants in which a husband and wife face each other, with the man on the left and the woman on the right. This information comes from the Agnew stock books, and is recorded in the Public Collections portion of the Getty Provenance Index® Databases. Part of the painting surface has been turned over all four stretcher edges to form a new tacking margin, reducing the height by at least 3 centimeters and the width by at least 2.5 centimeters (see text). Above the book at the juncture of the dress and arm is a large repaired hole and adjacent vertical tear.Paint is applied over a thin, cream-tan ground as a fluid paste, with impasto in thicker passages such as the brocade and book. Mary Cassatt Portrait of an Elderly Lady Bild.Beispieldarstellung, Format und Größe hängen von Ihrer Auswahl ab.Ganz individuell: "Mary Cassatt Portrait of an Elderly Lady" aus der Reihe Cassatt ist als Druck gedruckt auf echte Künstler-Leinwand und auf brilliantem Photopapier erhältlich - wählen Sie einfach aus.

Download. Rules Contact. You may be missing content or you might need to enable the original module. "Portrait of an elderly lady" is an authentic stock image by Westend61. [1] During this treatment the painting was analyzed by the NGA Scientific Research department using microscopic examination of cross-sections (see notes dated August 21, 2008, in NGA Conservation department files).Pendant portraits by Peter Paul Rubens of.The possible relationship of these paintings was first proposed in Wilhelm R. Valentiner.These remarks are based on examination of the two paintings (as in note 7 above) as well as analysis by the National Gallery of Art scientific research department using microscopic examination of cross-sections from both paintings (see notes dated August 21, 2008, for the National Gallery of Art painting, and September 22, 2008, for the Frick painting in National Gallery of Art conservation department files).No inscription appears on the Frick painting, and examination did not show evidence that an inscription has been effaced. He was a Dutch Golden Age painter who practiced an intimate realism with a radically free approach. ),framed: 100.3 x 84.1 cm (39 1/2 x 33 1/8 in. [4] The painting was Agnew’s stock number J1821. overall: 72.9 x 60.3 cm (28 11/16 x 23 3/4 in. Charlotte-Camille, Comtesse Boucher de la Rupelle [née de Tascher, d. 1911], Paris; sold by 1905 to (Charles Sedelmeyer, Paris); James Simon [1851-1932], Berlin, by 1906; (Abraham Preyer, The Hague);[2] purchased 12 June 1919 by (Duveen Brothers, Inc., London, New York, and Paris);[3] held jointly with (Thos. While he also articulated the design in the black jacket with great care, he indicated the folds of the skirt with comparatively free brushstrokes that suggest the flickering of light off its surface.The woman’s pose is adapted from a portrait Hals had executed two years earlier of Cornelia Claesdr Vooght,Cornelia Claesdr Vooght was the wife of the Haarlem burgomaster Nicolaes van der Meer, whose companion portrait Hals also painted in 1631,Stylistically, there are arguments for placing the Frick portrait in about 1633, despite the blond tonality of the painting that Slive rightly associates with Hals’ works from the late 1620s. Image Use. 20); Cornelius Sebille Roos [1754-1820], Amsterdam. He is known for his loose painterly brushwork, and helping introduce a lively style of painting to Dutch art. His pictures illustrate the various strata of society: banquets or meetings of officers, guildsmen, local councilmen from mayors to clerks, itinerant players and singers, gentlemen, fishwives, and tavern heroes.Lost your password?

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