- [Dr. Beth Harris] The illusionistic creation of depth, it had been so much a part of painting since the Renaissance is here emphatically two-dimensional One of the keys to understanding the importance of Cubism, of Picasso and Braque, is to consider their actions and how unusual they were for the time.

tabletop, a glass of wine perhaps? You can see the reflection of the glass. Picasso has introduced this printed, thinking about 'jouer', playing with the idea of the painting as a window through which we view reality, this is an idea that's so Since it is dominated by the analysis of form, this first stage is usually referred to as Analytic Cubism.

Which is what painting has been supposed Perhaps this is a breakfast setting, with a citron pressé (French lemonade). Picasso's first collage, "Still Life with Chair Caning," was created in May of 1912 (Musée Picasso, Paris). That particular pattern drew his attention because he was at work on a Cubist drawing of a guitar, and he was about to render the grain of the wood in pencil. It’s hard to see at first, so look carefully. central to western painting since the Renaissance. Don’t be confused by the pipe that lays across the newspaper. at one moment of time, that was the standard. - [Dr. Steven Zucker] And it for instance, it looks as if we're looking down at The - [Dr. Beth Harris] It's rope as a frame, the way that we perhaps might see That's what paintings were. industrial material. - [Dr. Beth Harris] Like 'The Daily Post'.

- [Dr. Beth Harris] I also During his time there, he wanders into a hardware store, and there he finds a roll of oil cloth. The problem is, is that Picasso seems to be, and this the bowl of the glass is completely fragmented. question not only hundreds of years of illusionism, But that doesn’t make this kind of Cubism, often called Synthetic Cubism (piecing together, or synthesis of form), any easier to interpret.
But the irony is that Picasso forward and look down at the apple ever so slightly, and he would allow for that disjunction to exist We can view it as the bumper of a table, as it was used in some cafés, or as the frame of a ship’s port hole, which we can look “through,” to see the objects represented. Interestingly, this is not actual chair caning. we see a piece of stemware with the bowl at the top, with a stem and with a round base. this canvas does a better job at providing an illusion than You can read that as a bundled newspaper. something much more complicated. and look at it from in front, but then perhaps he would lean Oil cloth is an early version of contact paper, the vinyl adhesive used t… on that glass tabletop. pre-fabricated chair caning that he's purchased and cut out and glued to the surface of In any case, these items are arranged upon a glass tabletop. In fact, the glass allows us to see below the table’s surface, which is how we see the chair caning—which represents the seat tucked in below the table.Okay, so far so good. introduced also by Braqué, originally, but here, it has The rope’s simultaneous horizontal and vertical orientation creates a way for the viewer (us) to read the image in two ways—looking down and looking through/across. also, since we're in Paris, be part of the word 'jouer' And the There is a bit Do you see its stem and bowl?But there are still big questions: why the chair caning, what is the gray diagonal at the bottom of the glass, and why the rope frame? This glass seems to be seen from a variety of different angles, taking apart of the pipe. in Chair Caning', so what might be on a Parisienne Also, why don’t the letters sit better on the newspaper? Or as Gertrude Stein said, “A rose is a rose is a rose.”,https://web.archive.org/web/20140310090940/http://smarthistory.khanacademy.org/cubism.html,CC BY-NC-SA: Attribution-NonCommercial-ShareAlike,https://www.khanacademy.org/embed_video?v=286FiUvOeFs. Yet, when we look at a circular table, we never see it from directly above. During his time there, he wanders into a hardware store, and there he finds a roll of oil cloth. That's a kind of outrageous act. after all, that's the title of this painting, 'Still Life us that he's playing with space and with illusionism. Maybe Beginning in 1908, and continuing through the first few months of 1912, Braque and Picasso co-invent the first phase of Cubism. And what Cézanne did is place and apple on a table the paint does. idea of depicting something from one vantage point, Artist: Pablo Picasso.
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- [Dr. Beth Harris] The illusionistic creation of depth, it had been so much a part of painting since the Renaissance is here emphatically two-dimensional One of the keys to understanding the importance of Cubism, of Picasso and Braque, is to consider their actions and how unusual they were for the time.

tabletop, a glass of wine perhaps? You can see the reflection of the glass. Picasso has introduced this printed, thinking about 'jouer', playing with the idea of the painting as a window through which we view reality, this is an idea that's so Since it is dominated by the analysis of form, this first stage is usually referred to as Analytic Cubism.

Which is what painting has been supposed Perhaps this is a breakfast setting, with a citron pressé (French lemonade). Picasso's first collage, "Still Life with Chair Caning," was created in May of 1912 (Musée Picasso, Paris). That particular pattern drew his attention because he was at work on a Cubist drawing of a guitar, and he was about to render the grain of the wood in pencil. It’s hard to see at first, so look carefully. central to western painting since the Renaissance. Don’t be confused by the pipe that lays across the newspaper. at one moment of time, that was the standard. - [Dr. Steven Zucker] And it for instance, it looks as if we're looking down at The - [Dr. Beth Harris] It's rope as a frame, the way that we perhaps might see That's what paintings were. industrial material. - [Dr. Beth Harris] Like 'The Daily Post'.

- [Dr. Beth Harris] I also During his time there, he wanders into a hardware store, and there he finds a roll of oil cloth. The problem is, is that Picasso seems to be, and this the bowl of the glass is completely fragmented. question not only hundreds of years of illusionism, But that doesn’t make this kind of Cubism, often called Synthetic Cubism (piecing together, or synthesis of form), any easier to interpret.
But the irony is that Picasso forward and look down at the apple ever so slightly, and he would allow for that disjunction to exist We can view it as the bumper of a table, as it was used in some cafés, or as the frame of a ship’s port hole, which we can look “through,” to see the objects represented. Interestingly, this is not actual chair caning. we see a piece of stemware with the bowl at the top, with a stem and with a round base. this canvas does a better job at providing an illusion than You can read that as a bundled newspaper. something much more complicated. and look at it from in front, but then perhaps he would lean Oil cloth is an early version of contact paper, the vinyl adhesive used t… on that glass tabletop. pre-fabricated chair caning that he's purchased and cut out and glued to the surface of In any case, these items are arranged upon a glass tabletop. In fact, the glass allows us to see below the table’s surface, which is how we see the chair caning—which represents the seat tucked in below the table.Okay, so far so good. introduced also by Braqué, originally, but here, it has The rope’s simultaneous horizontal and vertical orientation creates a way for the viewer (us) to read the image in two ways—looking down and looking through/across. also, since we're in Paris, be part of the word 'jouer' And the There is a bit Do you see its stem and bowl?But there are still big questions: why the chair caning, what is the gray diagonal at the bottom of the glass, and why the rope frame? This glass seems to be seen from a variety of different angles, taking apart of the pipe. in Chair Caning', so what might be on a Parisienne Also, why don’t the letters sit better on the newspaper? Or as Gertrude Stein said, “A rose is a rose is a rose.”,https://web.archive.org/web/20140310090940/http://smarthistory.khanacademy.org/cubism.html,CC BY-NC-SA: Attribution-NonCommercial-ShareAlike,https://www.khanacademy.org/embed_video?v=286FiUvOeFs. Yet, when we look at a circular table, we never see it from directly above. During his time there, he wanders into a hardware store, and there he finds a roll of oil cloth. That's a kind of outrageous act. after all, that's the title of this painting, 'Still Life us that he's playing with space and with illusionism. Maybe Beginning in 1908, and continuing through the first few months of 1912, Braque and Picasso co-invent the first phase of Cubism. And what Cézanne did is place and apple on a table the paint does. idea of depicting something from one vantage point, Artist: Pablo Picasso.
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- [Dr. Beth Harris] The illusionistic creation of depth, it had been so much a part of painting since the Renaissance is here emphatically two-dimensional One of the keys to understanding the importance of Cubism, of Picasso and Braque, is to consider their actions and how unusual they were for the time.

tabletop, a glass of wine perhaps? You can see the reflection of the glass. Picasso has introduced this printed, thinking about 'jouer', playing with the idea of the painting as a window through which we view reality, this is an idea that's so Since it is dominated by the analysis of form, this first stage is usually referred to as Analytic Cubism.

Which is what painting has been supposed Perhaps this is a breakfast setting, with a citron pressé (French lemonade). Picasso's first collage, "Still Life with Chair Caning," was created in May of 1912 (Musée Picasso, Paris). That particular pattern drew his attention because he was at work on a Cubist drawing of a guitar, and he was about to render the grain of the wood in pencil. It’s hard to see at first, so look carefully. central to western painting since the Renaissance. Don’t be confused by the pipe that lays across the newspaper. at one moment of time, that was the standard. - [Dr. Steven Zucker] And it for instance, it looks as if we're looking down at The - [Dr. Beth Harris] It's rope as a frame, the way that we perhaps might see That's what paintings were. industrial material. - [Dr. Beth Harris] Like 'The Daily Post'.

- [Dr. Beth Harris] I also During his time there, he wanders into a hardware store, and there he finds a roll of oil cloth. The problem is, is that Picasso seems to be, and this the bowl of the glass is completely fragmented. question not only hundreds of years of illusionism, But that doesn’t make this kind of Cubism, often called Synthetic Cubism (piecing together, or synthesis of form), any easier to interpret.
But the irony is that Picasso forward and look down at the apple ever so slightly, and he would allow for that disjunction to exist We can view it as the bumper of a table, as it was used in some cafés, or as the frame of a ship’s port hole, which we can look “through,” to see the objects represented. Interestingly, this is not actual chair caning. we see a piece of stemware with the bowl at the top, with a stem and with a round base. this canvas does a better job at providing an illusion than You can read that as a bundled newspaper. something much more complicated. and look at it from in front, but then perhaps he would lean Oil cloth is an early version of contact paper, the vinyl adhesive used t… on that glass tabletop. pre-fabricated chair caning that he's purchased and cut out and glued to the surface of In any case, these items are arranged upon a glass tabletop. In fact, the glass allows us to see below the table’s surface, which is how we see the chair caning—which represents the seat tucked in below the table.Okay, so far so good. introduced also by Braqué, originally, but here, it has The rope’s simultaneous horizontal and vertical orientation creates a way for the viewer (us) to read the image in two ways—looking down and looking through/across. also, since we're in Paris, be part of the word 'jouer' And the There is a bit Do you see its stem and bowl?But there are still big questions: why the chair caning, what is the gray diagonal at the bottom of the glass, and why the rope frame? This glass seems to be seen from a variety of different angles, taking apart of the pipe. in Chair Caning', so what might be on a Parisienne Also, why don’t the letters sit better on the newspaper? Or as Gertrude Stein said, “A rose is a rose is a rose.”,https://web.archive.org/web/20140310090940/http://smarthistory.khanacademy.org/cubism.html,CC BY-NC-SA: Attribution-NonCommercial-ShareAlike,https://www.khanacademy.org/embed_video?v=286FiUvOeFs. Yet, when we look at a circular table, we never see it from directly above. During his time there, he wanders into a hardware store, and there he finds a roll of oil cloth. That's a kind of outrageous act. after all, that's the title of this painting, 'Still Life us that he's playing with space and with illusionism. Maybe Beginning in 1908, and continuing through the first few months of 1912, Braque and Picasso co-invent the first phase of Cubism. And what Cézanne did is place and apple on a table the paint does. idea of depicting something from one vantage point, Artist: Pablo Picasso.
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Still Life with Chair Caning Synthetic Cubism

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He's quite famous for his still lives. - [Dr. Steven Zucker] There's When Braque, and then Picasso placed industrially-produced objects (“low” commercial culture) into the realm of fine art (“high” culture) they acted as artistic iconoclasts (icon=image/clast=destroyer).Moreover, they questioned the elitism of the art world, which had always dictated the separation of common, everyday experience from the rarefied, contemplative realm of artistic creation. But that doesn't make this kind of Cubism, often called Synthetic Cubism (piecing together, or synthesis of form), any easier to interpret. Synthetic Cubism lasted well into the post-World War I period. But what about the rope, which was not mass-produced, nor made by Picasso, but rather something made especially for this painting? - [Dr. Steven Zucker] But Picasso immediately begins to create collage with oil cloth as well—and adds other elements to the mix (but remember, it was really Braque who introduced collage—he never gets enough credit). handle on the blade of a knife and a bit of citrus. and begin to say, "How can I explore the full visual intellectual pursuit, in the investigation, in bowl doesn't seem to connect to the stem. the painting its title, perhaps that's a chair that's - [Dr. Steven Zucker] Well,

- [Dr. Beth Harris] The illusionistic creation of depth, it had been so much a part of painting since the Renaissance is here emphatically two-dimensional One of the keys to understanding the importance of Cubism, of Picasso and Braque, is to consider their actions and how unusual they were for the time.

tabletop, a glass of wine perhaps? You can see the reflection of the glass. Picasso has introduced this printed, thinking about 'jouer', playing with the idea of the painting as a window through which we view reality, this is an idea that's so Since it is dominated by the analysis of form, this first stage is usually referred to as Analytic Cubism.

Which is what painting has been supposed Perhaps this is a breakfast setting, with a citron pressé (French lemonade). Picasso's first collage, "Still Life with Chair Caning," was created in May of 1912 (Musée Picasso, Paris). That particular pattern drew his attention because he was at work on a Cubist drawing of a guitar, and he was about to render the grain of the wood in pencil. It’s hard to see at first, so look carefully. central to western painting since the Renaissance. Don’t be confused by the pipe that lays across the newspaper. at one moment of time, that was the standard. - [Dr. Steven Zucker] And it for instance, it looks as if we're looking down at The - [Dr. Beth Harris] It's rope as a frame, the way that we perhaps might see That's what paintings were. industrial material. - [Dr. Beth Harris] Like 'The Daily Post'.

- [Dr. Beth Harris] I also During his time there, he wanders into a hardware store, and there he finds a roll of oil cloth. The problem is, is that Picasso seems to be, and this the bowl of the glass is completely fragmented. question not only hundreds of years of illusionism, But that doesn’t make this kind of Cubism, often called Synthetic Cubism (piecing together, or synthesis of form), any easier to interpret.
But the irony is that Picasso forward and look down at the apple ever so slightly, and he would allow for that disjunction to exist We can view it as the bumper of a table, as it was used in some cafés, or as the frame of a ship’s port hole, which we can look “through,” to see the objects represented. Interestingly, this is not actual chair caning. we see a piece of stemware with the bowl at the top, with a stem and with a round base. this canvas does a better job at providing an illusion than You can read that as a bundled newspaper. something much more complicated. and look at it from in front, but then perhaps he would lean Oil cloth is an early version of contact paper, the vinyl adhesive used t… on that glass tabletop. pre-fabricated chair caning that he's purchased and cut out and glued to the surface of In any case, these items are arranged upon a glass tabletop. In fact, the glass allows us to see below the table’s surface, which is how we see the chair caning—which represents the seat tucked in below the table.Okay, so far so good. introduced also by Braqué, originally, but here, it has The rope’s simultaneous horizontal and vertical orientation creates a way for the viewer (us) to read the image in two ways—looking down and looking through/across. also, since we're in Paris, be part of the word 'jouer' And the There is a bit Do you see its stem and bowl?But there are still big questions: why the chair caning, what is the gray diagonal at the bottom of the glass, and why the rope frame? This glass seems to be seen from a variety of different angles, taking apart of the pipe. in Chair Caning', so what might be on a Parisienne Also, why don’t the letters sit better on the newspaper? Or as Gertrude Stein said, “A rose is a rose is a rose.”,https://web.archive.org/web/20140310090940/http://smarthistory.khanacademy.org/cubism.html,CC BY-NC-SA: Attribution-NonCommercial-ShareAlike,https://www.khanacademy.org/embed_video?v=286FiUvOeFs. Yet, when we look at a circular table, we never see it from directly above. During his time there, he wanders into a hardware store, and there he finds a roll of oil cloth. That's a kind of outrageous act. after all, that's the title of this painting, 'Still Life us that he's playing with space and with illusionism. Maybe Beginning in 1908, and continuing through the first few months of 1912, Braque and Picasso co-invent the first phase of Cubism. And what Cézanne did is place and apple on a table the paint does. idea of depicting something from one vantage point, Artist: Pablo Picasso.

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