https://en.wikipedia.org/.../List_of_works_by_Albert_Gleizes Yale University Press.Musée de La Poste, Galerie du Messager, Paris, France,Le Dépiquage des Moissons (Harvest Threshing),L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud),Les Joueurs de football (Football Players),Portrait de l’éditeur Eugène Figuière (The Publisher Eugene Figuiere),Woman with animals (La dame aux bêtes) Madame Raymond Duchamp-Villon,Paysage cubiste, Arbre et fleuve (Cubist Landscape),Portrait of an Army Doctor (Portrait d'un médecin militaire),Femme au gant noir (Woman with Black Glove),Exposition Internationale des Arts et Techniques dans la Vie Moderne,Les ponts de Paris (Passy), The Bridges of Paris (Passy),Nature morte, Compotier et cruche décorée de cerfs,l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud),Centre Pompidou – Musée National d'Art Moderne, Paris,Guggenheim Museum, New York City, Collection online, Albert Gleizes,Metropolitan Museum of Art, New York City,Albright-Knox Art Gallery, Buffalo, New york,Art Gallery of New South Wales, Sydney, Australia,Chazen Museum of Art at the University of Wisconsin,Indiana University Art Museum, Bloomington – Provenance Research Project,Los Angeles County Museum of Art Database (LACMA),McMullen Museum of Art at Boston College, Massachusetts,National Gallery of Victoria, Melbourne, Australia,Museum Moderner Kunst Stiftung Ludwig (mumok), Vienna,Israël Museum, Jerusalem, Landscape: Pyrénées,Reina Sofía National Museum, Madrid (in Spanish),Musée Calvet, Musée des Beaux-Arts et d'Archéologie d'Avignon,University of Iowa Museum of Art, Iowa City,The Cubist Painters, Aesthetic Meditations,Museum of Modern Art, New York, MoMA, Albert Gleizes, Daniel Robbins, Grove Art Online, 2009 Oxford University Press.Guillaume Apollinaire, in L'Intransigeant, 18 March 1910,"The History and Chronology of Cubism, The Cubist Painters, p. 2",Le Petit Parisien, review of the 1911 Salon des Indépendants, 4 April 1911. I and Fig. Neither alternative held any appeal for him and, with the Salons dominated by a return to classicism, his old hostility to Paris was constantly nourished. Although he occasionally returned to earlier subjects... these later works were treated anew, on the basis of fresh insights. Gleizes was a founding member of the Section d'Or group of artists. The result is a spatial and rhythmic organism more,Gleizes' painting of 1920–1922, submitted to the same rigor, were not Cubist in any conventional sense; but they,Before World War I, Gleizes had always been identified as a Cubist avant-garde. IV represents the simultaneous movements of rotation and translation of the rectangle plane, with the position of the eye of the observed displaced left of the axis. no. 115, 27 September 1917, p. 2,Daniel Robbins, Museum of Modern Art, New York, MoMA, Albert Gleizes, Grove Art Online, 2009 Oxford University Press,Site Rose-Valland, Musées Nationaux Récupération, Paysage (Meudon; paysage avec personnage), 1911,Christie's, London, King Street, Impressionist, Modern Evening Sales, Sale 7857, Lot 38, 23 June 2010,Annual Exhibition of Modern Art arranged by a group of European and American artists in New York, May 3 to May 24, 1919, at the Bourgeois Galleries, Essay by Albert Gleizes,Musées de France, Collections, Fondation Albert Gleizes,Telefónica Foundation Collections, Madrid (pdf in Spanish),Ministère de la Culture (France) – POP: la plateforme ouverte du patrimoine, Albert Gleizes,Thomas J. Watson Library, The Catalog of the Libraries of The Metropolitan Museum of Art,Réunion des Musées Nationaux, Grand Palais, Agence photographique,Princeton Blue Mountain collection, Historic Avant-Garde Periodicals for Digital Research, Princeton University Library,Paysage près de Paris, Paysage de Courbevoie,Cubist Landscape (Paysage cubiste, Arbre et fleuve),https://en.wikipedia.org/w/index.php?title=Albert_Gleizes&oldid=979114084,Articles with dead external links from June 2017,Articles with permanently dead external links,Articles with dead external links from September 2017,Articles with dead external links from June 2020,Wikipedia articles with CINII identifiers,Wikipedia articles with RKDartists identifiers,Wikipedia articles with SNAC-ID identifiers,Wikipedia articles with SUDOC identifiers,Wikipedia articles with TePapa identifiers,Wikipedia articles with Trove identifiers,Wikipedia articles with WorldCat identifiers,Creative Commons Attribution-ShareAlike License. "/>
https://en.wikipedia.org/.../List_of_works_by_Albert_Gleizes Yale University Press.Musée de La Poste, Galerie du Messager, Paris, France,Le Dépiquage des Moissons (Harvest Threshing),L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud),Les Joueurs de football (Football Players),Portrait de l’éditeur Eugène Figuière (The Publisher Eugene Figuiere),Woman with animals (La dame aux bêtes) Madame Raymond Duchamp-Villon,Paysage cubiste, Arbre et fleuve (Cubist Landscape),Portrait of an Army Doctor (Portrait d'un médecin militaire),Femme au gant noir (Woman with Black Glove),Exposition Internationale des Arts et Techniques dans la Vie Moderne,Les ponts de Paris (Passy), The Bridges of Paris (Passy),Nature morte, Compotier et cruche décorée de cerfs,l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud),Centre Pompidou – Musée National d'Art Moderne, Paris,Guggenheim Museum, New York City, Collection online, Albert Gleizes,Metropolitan Museum of Art, New York City,Albright-Knox Art Gallery, Buffalo, New york,Art Gallery of New South Wales, Sydney, Australia,Chazen Museum of Art at the University of Wisconsin,Indiana University Art Museum, Bloomington – Provenance Research Project,Los Angeles County Museum of Art Database (LACMA),McMullen Museum of Art at Boston College, Massachusetts,National Gallery of Victoria, Melbourne, Australia,Museum Moderner Kunst Stiftung Ludwig (mumok), Vienna,Israël Museum, Jerusalem, Landscape: Pyrénées,Reina Sofía National Museum, Madrid (in Spanish),Musée Calvet, Musée des Beaux-Arts et d'Archéologie d'Avignon,University of Iowa Museum of Art, Iowa City,The Cubist Painters, Aesthetic Meditations,Museum of Modern Art, New York, MoMA, Albert Gleizes, Daniel Robbins, Grove Art Online, 2009 Oxford University Press.Guillaume Apollinaire, in L'Intransigeant, 18 March 1910,"The History and Chronology of Cubism, The Cubist Painters, p. 2",Le Petit Parisien, review of the 1911 Salon des Indépendants, 4 April 1911. I and Fig. Neither alternative held any appeal for him and, with the Salons dominated by a return to classicism, his old hostility to Paris was constantly nourished. Although he occasionally returned to earlier subjects... these later works were treated anew, on the basis of fresh insights. Gleizes was a founding member of the Section d'Or group of artists. The result is a spatial and rhythmic organism more,Gleizes' painting of 1920–1922, submitted to the same rigor, were not Cubist in any conventional sense; but they,Before World War I, Gleizes had always been identified as a Cubist avant-garde. IV represents the simultaneous movements of rotation and translation of the rectangle plane, with the position of the eye of the observed displaced left of the axis. no. 115, 27 September 1917, p. 2,Daniel Robbins, Museum of Modern Art, New York, MoMA, Albert Gleizes, Grove Art Online, 2009 Oxford University Press,Site Rose-Valland, Musées Nationaux Récupération, Paysage (Meudon; paysage avec personnage), 1911,Christie's, London, King Street, Impressionist, Modern Evening Sales, Sale 7857, Lot 38, 23 June 2010,Annual Exhibition of Modern Art arranged by a group of European and American artists in New York, May 3 to May 24, 1919, at the Bourgeois Galleries, Essay by Albert Gleizes,Musées de France, Collections, Fondation Albert Gleizes,Telefónica Foundation Collections, Madrid (pdf in Spanish),Ministère de la Culture (France) – POP: la plateforme ouverte du patrimoine, Albert Gleizes,Thomas J. Watson Library, The Catalog of the Libraries of The Metropolitan Museum of Art,Réunion des Musées Nationaux, Grand Palais, Agence photographique,Princeton Blue Mountain collection, Historic Avant-Garde Periodicals for Digital Research, Princeton University Library,Paysage près de Paris, Paysage de Courbevoie,Cubist Landscape (Paysage cubiste, Arbre et fleuve),https://en.wikipedia.org/w/index.php?title=Albert_Gleizes&oldid=979114084,Articles with dead external links from June 2017,Articles with permanently dead external links,Articles with dead external links from September 2017,Articles with dead external links from June 2020,Wikipedia articles with CINII identifiers,Wikipedia articles with RKDartists identifiers,Wikipedia articles with SNAC-ID identifiers,Wikipedia articles with SUDOC identifiers,Wikipedia articles with TePapa identifiers,Wikipedia articles with Trove identifiers,Wikipedia articles with WorldCat identifiers,Creative Commons Attribution-ShareAlike License. ">
https://en.wikipedia.org/.../List_of_works_by_Albert_Gleizes Yale University Press.Musée de La Poste, Galerie du Messager, Paris, France,Le Dépiquage des Moissons (Harvest Threshing),L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud),Les Joueurs de football (Football Players),Portrait de l’éditeur Eugène Figuière (The Publisher Eugene Figuiere),Woman with animals (La dame aux bêtes) Madame Raymond Duchamp-Villon,Paysage cubiste, Arbre et fleuve (Cubist Landscape),Portrait of an Army Doctor (Portrait d'un médecin militaire),Femme au gant noir (Woman with Black Glove),Exposition Internationale des Arts et Techniques dans la Vie Moderne,Les ponts de Paris (Passy), The Bridges of Paris (Passy),Nature morte, Compotier et cruche décorée de cerfs,l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud),Centre Pompidou – Musée National d'Art Moderne, Paris,Guggenheim Museum, New York City, Collection online, Albert Gleizes,Metropolitan Museum of Art, New York City,Albright-Knox Art Gallery, Buffalo, New york,Art Gallery of New South Wales, Sydney, Australia,Chazen Museum of Art at the University of Wisconsin,Indiana University Art Museum, Bloomington – Provenance Research Project,Los Angeles County Museum of Art Database (LACMA),McMullen Museum of Art at Boston College, Massachusetts,National Gallery of Victoria, Melbourne, Australia,Museum Moderner Kunst Stiftung Ludwig (mumok), Vienna,Israël Museum, Jerusalem, Landscape: Pyrénées,Reina Sofía National Museum, Madrid (in Spanish),Musée Calvet, Musée des Beaux-Arts et d'Archéologie d'Avignon,University of Iowa Museum of Art, Iowa City,The Cubist Painters, Aesthetic Meditations,Museum of Modern Art, New York, MoMA, Albert Gleizes, Daniel Robbins, Grove Art Online, 2009 Oxford University Press.Guillaume Apollinaire, in L'Intransigeant, 18 March 1910,"The History and Chronology of Cubism, The Cubist Painters, p. 2",Le Petit Parisien, review of the 1911 Salon des Indépendants, 4 April 1911. I and Fig. Neither alternative held any appeal for him and, with the Salons dominated by a return to classicism, his old hostility to Paris was constantly nourished. Although he occasionally returned to earlier subjects... these later works were treated anew, on the basis of fresh insights. Gleizes was a founding member of the Section d'Or group of artists. The result is a spatial and rhythmic organism more,Gleizes' painting of 1920–1922, submitted to the same rigor, were not Cubist in any conventional sense; but they,Before World War I, Gleizes had always been identified as a Cubist avant-garde. IV represents the simultaneous movements of rotation and translation of the rectangle plane, with the position of the eye of the observed displaced left of the axis. no. 115, 27 September 1917, p. 2,Daniel Robbins, Museum of Modern Art, New York, MoMA, Albert Gleizes, Grove Art Online, 2009 Oxford University Press,Site Rose-Valland, Musées Nationaux Récupération, Paysage (Meudon; paysage avec personnage), 1911,Christie's, London, King Street, Impressionist, Modern Evening Sales, Sale 7857, Lot 38, 23 June 2010,Annual Exhibition of Modern Art arranged by a group of European and American artists in New York, May 3 to May 24, 1919, at the Bourgeois Galleries, Essay by Albert Gleizes,Musées de France, Collections, Fondation Albert Gleizes,Telefónica Foundation Collections, Madrid (pdf in Spanish),Ministère de la Culture (France) – POP: la plateforme ouverte du patrimoine, Albert Gleizes,Thomas J. Watson Library, The Catalog of the Libraries of The Metropolitan Museum of Art,Réunion des Musées Nationaux, Grand Palais, Agence photographique,Princeton Blue Mountain collection, Historic Avant-Garde Periodicals for Digital Research, Princeton University Library,Paysage près de Paris, Paysage de Courbevoie,Cubist Landscape (Paysage cubiste, Arbre et fleuve),https://en.wikipedia.org/w/index.php?title=Albert_Gleizes&oldid=979114084,Articles with dead external links from June 2017,Articles with permanently dead external links,Articles with dead external links from September 2017,Articles with dead external links from June 2020,Wikipedia articles with CINII identifiers,Wikipedia articles with RKDartists identifiers,Wikipedia articles with SNAC-ID identifiers,Wikipedia articles with SUDOC identifiers,Wikipedia articles with TePapa identifiers,Wikipedia articles with Trove identifiers,Wikipedia articles with WorldCat identifiers,Creative Commons Attribution-ShareAlike License. ">

Albert Gleizes

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Fig. VIII are filled with hatching espousing the 'direction' of the planes. Albert Gleizes (Parigi, 8 dicembre 1881 – Avignone, 24 giugno 1953) è stato un pittore, disegnatore e incisore francese, fra i principali rappresentanti del cubismo. The Cubist method is to integrate multiple viewpoints of a subject within a geometrically divided picture plane. Egli considerò tutte le sue opere successive al 1914 come sviluppo logico dell'estetica cubista. These successive stages permit the perception of space. Albert Gleizes foi um pinto francês da primeira metade do século XX.

And during the twenties he continued to hold a prominent position, but he was no longer identified with the avant-garde since Cubism had been superseded by Dada and,Gleizes realized that his evolution towards 'purity' carried with it the risk of alienation from the 'mentality of the milieu', but he saw it as the sole means of arriving at a new type of art that could reach a mass audience (just as the French murals of the 11th and 12th centuries). 20世紀の初頭の最も革新的な芸術運動はキュビスム（立体派）です。これはピカソとブラックによって創始されました。様式的には、画面が幾何学的に分割され、複数の視点からの眺めを一つにまとめあげていることが特徴です。1912年、パリでは「セクション・ドール（黄金分割）」展が開催され、本作は最重要作品として出品されました。ここで、収穫の場面という伝統的な主題が、キュビスムの新しい造形でやり直されています。（出典: 展示室作品解説パネル）.Solomon R. Guggenheim (acquired from the artist in 1938); Solomon R. Guggenheim Museum, New York; Sold to a Parisian Gallery, 1988; Private Collections, Paris, 1989; Purchased by the NMWA, 2005.Pioneered by Pablo Picasso and Georges Braque, Cubism was the most innovative art movement of the early twentieth century. Albert Léon Gleizes (París, 8 de diciembre de 1881 - Aviñón, 23 de junio de 1953), pintor francés. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, Du "Cubisme", 1912.

https://en.wikipedia.org/.../List_of_works_by_Albert_Gleizes Yale University Press.Musée de La Poste, Galerie du Messager, Paris, France,Le Dépiquage des Moissons (Harvest Threshing),L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud),Les Joueurs de football (Football Players),Portrait de l’éditeur Eugène Figuière (The Publisher Eugene Figuiere),Woman with animals (La dame aux bêtes) Madame Raymond Duchamp-Villon,Paysage cubiste, Arbre et fleuve (Cubist Landscape),Portrait of an Army Doctor (Portrait d'un médecin militaire),Femme au gant noir (Woman with Black Glove),Exposition Internationale des Arts et Techniques dans la Vie Moderne,Les ponts de Paris (Passy), The Bridges of Paris (Passy),Nature morte, Compotier et cruche décorée de cerfs,l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud),Centre Pompidou – Musée National d'Art Moderne, Paris,Guggenheim Museum, New York City, Collection online, Albert Gleizes,Metropolitan Museum of Art, New York City,Albright-Knox Art Gallery, Buffalo, New york,Art Gallery of New South Wales, Sydney, Australia,Chazen Museum of Art at the University of Wisconsin,Indiana University Art Museum, Bloomington – Provenance Research Project,Los Angeles County Museum of Art Database (LACMA),McMullen Museum of Art at Boston College, Massachusetts,National Gallery of Victoria, Melbourne, Australia,Museum Moderner Kunst Stiftung Ludwig (mumok), Vienna,Israël Museum, Jerusalem, Landscape: Pyrénées,Reina Sofía National Museum, Madrid (in Spanish),Musée Calvet, Musée des Beaux-Arts et d'Archéologie d'Avignon,University of Iowa Museum of Art, Iowa City,The Cubist Painters, Aesthetic Meditations,Museum of Modern Art, New York, MoMA, Albert Gleizes, Daniel Robbins, Grove Art Online, 2009 Oxford University Press.Guillaume Apollinaire, in L'Intransigeant, 18 March 1910,"The History and Chronology of Cubism, The Cubist Painters, p. 2",Le Petit Parisien, review of the 1911 Salon des Indépendants, 4 April 1911. I and Fig. Neither alternative held any appeal for him and, with the Salons dominated by a return to classicism, his old hostility to Paris was constantly nourished. Although he occasionally returned to earlier subjects... these later works were treated anew, on the basis of fresh insights. Gleizes was a founding member of the Section d'Or group of artists. The result is a spatial and rhythmic organism more,Gleizes' painting of 1920–1922, submitted to the same rigor, were not Cubist in any conventional sense; but they,Before World War I, Gleizes had always been identified as a Cubist avant-garde. IV represents the simultaneous movements of rotation and translation of the rectangle plane, with the position of the eye of the observed displaced left of the axis. no. 115, 27 September 1917, p. 2,Daniel Robbins, Museum of Modern Art, New York, MoMA, Albert Gleizes, Grove Art Online, 2009 Oxford University Press,Site Rose-Valland, Musées Nationaux Récupération, Paysage (Meudon; paysage avec personnage), 1911,Christie's, London, King Street, Impressionist, Modern Evening Sales, Sale 7857, Lot 38, 23 June 2010,Annual Exhibition of Modern Art arranged by a group of European and American artists in New York, May 3 to May 24, 1919, at the Bourgeois Galleries, Essay by Albert Gleizes,Musées de France, Collections, Fondation Albert Gleizes,Telefónica Foundation Collections, Madrid (pdf in Spanish),Ministère de la Culture (France) – POP: la plateforme ouverte du patrimoine, Albert Gleizes,Thomas J. Watson Library, The Catalog of the Libraries of The Metropolitan Museum of Art,Réunion des Musées Nationaux, Grand Palais, Agence photographique,Princeton Blue Mountain collection, Historic Avant-Garde Periodicals for Digital Research, Princeton University Library,Paysage près de Paris, Paysage de Courbevoie,Cubist Landscape (Paysage cubiste, Arbre et fleuve),https://en.wikipedia.org/w/index.php?title=Albert_Gleizes&oldid=979114084,Articles with dead external links from June 2017,Articles with permanently dead external links,Articles with dead external links from September 2017,Articles with dead external links from June 2020,Wikipedia articles with CINII identifiers,Wikipedia articles with RKDartists identifiers,Wikipedia articles with SNAC-ID identifiers,Wikipedia articles with SUDOC identifiers,Wikipedia articles with TePapa identifiers,Wikipedia articles with Trove identifiers,Wikipedia articles with WorldCat identifiers,Creative Commons Attribution-ShareAlike License.

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