Nothing is beautiful, only man: on this piece of naivete rests all aesthetics, it is the first truth of aesthetics. While the remaining chapters in Part 4 will look at specific components of aesthetics, this chapter aims to provide an overview of public speaking as an aesthetic experience.Let’s get started with a description of aesthetics.A simple Google search defines aesthetics as “artistically valid or beautiful” (The American Heritage Dictionary of the English Language) or “pleasing in appearance” (Merriam-Webster). But we’re also witnessing a dramatic departure from the conservative mean in one notable respect: the riot of disconnected images that has defined Trump’s aesthetic as president—all that goony shit-posting and ceremonial bloat and gaudy luxury, clustered together like sconces on a Mar-a-Lago wall.It is hard to know what to do with it all, and not just because there is always so much of it. We often think of a sunset as being aesthetically beautiful or providing us with an aesthetically pleasing experience. For however narrowly its purpose can be defined—the Fox-damaged and proudly un-churched Trump has mostly leaned on Christmas as a culture-war totem gleefully invoked as a lib-triggering synonym for “holidays”—the decorative ritual is mostly a way to celebrate a season of giving and sharing with other people.It is, to state the obvious, not surprising that such a thing would not come naturally to people as insular and proudly selfish as the Trumps. Public speaking is rooted in rhetoric (as Chapter 1 detailed), and rhetorical scholars have argued for public speakers to attend to.Think about your own style and delivery.
We all embody our own style, and we often make stylistic (or aesthetic) choices based on who we’re speaking to and where we’re speaking. Like we mentioned, public speaking is highly embodied, and experiencing information through a person and through their body is highly sensational and artistic.As a speaker, you will make aesthetic choices—based on verbal delivery, for example— that create an overall experience for the audience.Creating an aesthetic experience means setting the scene and stage for your audience to feel good or bad; to move your audience toward something by motivating them to act or think. Even I, who grew up going to the movies on Christmas Day alongside my family and the rest of the nongentiles in my corner of New Jersey, have felt this while decorating the tree alongside my gentile in-laws.
In Chapter 1, we asked that you picture your favorite public speaker.
Delivery is the mechanics used to convey a message rather than the words itself.
The man himself cultivates and inhabits a world of luxury that’s frozen in the 1980s, and he’s spent most of his life doing the same things over and over again.
There are the terrible juddering animated memes, in which Donald Trump’s smirking melon-ball of a head is pasted atop the body of Heath Ledger’s Joker or Joaquin Phoenix’s Joker or one of the space cats from.As with most things about Trump, there’s not a lot to unpack here.
What’s their job? Who’s being empowered and disempowered in this perspective?”,Speak Out, Call In: Public Speaking as Advocacy,Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. What language choices did they make? Good speakers can, in addition to crafting a well-reasoned argument, create a captivating, aesthetic experience for the audience through their delivery, language, and style.
The game became part of the aesthetic experience and left a negative sensation. When you audience a speech and are left with a felt sense, you might ask, “What created that experience?” “What decisions were made that led to that sensation?” Aesthetics allows us to think through the sensations created through art.You may not view public speaking as an art, but public speaking’s history is grounded in viewing speaking— what we say and how we say it—as an art form.those qualities are what allowed passions and emotions to be communicated (Goldsbury and Russell, 1844).
In classical rhetoric, an eloquent speaker was a credible speaker, so delivery was an important part of the public speaking process.However, similar to elocution, delivery doesn’t fully describe the embodiment of a speech or the experience that’s created. They don’t know when to stop—they never have known when to stop, they do not know,David Roth was an editor at Deadspin and is a co-owner and co-founder of,The annual lighting of the National Christmas tree on December 5.
These, though, don’t always spark our attention or draw us in. We know from Chapter 1, though, that public speaking is a constitutive process that makes meaning, and your embodiment is part of that meaning, not merely a vessel of delivery.So, aesthetics extends classical rhetorical insight about public speaking as an art and provides a broader picture by asking, “what sensations do you want the audience to experience?” “How do we get there?”.Aesthetics is interested in the overall experience for the audience, by looking at:Aesthetics asks the speaker to consider the entire context, including the space, set-up, audience location – all elements that influence how the audience experiences the speech overall.
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